In collaboration with Noah Monty

Placed in frames as if the newly derived drawings were pieces of art in Frank Lloyd Wright’s Guggenheim. Deconstructing a scene from the film The International analyzed and drawn using a set of rules:

Lines moving across X-axis = protagonists (Blue squares)

Lines moving across Y-axis = antagonists (Solid Black rectangles)

Intersection moments = tension or conflict between the protagonist and antagonists

Moments of reveal = highlighted scenes in which the protagonists appear (Textured grey with at least one side not bound from the red perimeter)

Moments of the unknown = side narratives that aren’t seen from our point of view or out of focus information (Voids in red perimeter)

Following these rules with shapes, color, and texture, constructed a newly symbolized perspective. Having the same effects as in film, foreground, middle ground, and background force the drawing from 2d to 3d.


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